reece,
I stand corrected. I was not aware that Beckhoff had released a DMX module - very cool.
Also take a look at these devices from Johnson Systems:
http://www.johnsonsystems.com/cs_2800.htm
I don't know muck about the Beckhoff module, but you may need to consider how the touchpanel solution you're providing interfaces with the needs of theatrical productions. Typically, setups like this use a highest-takes-precedence. That is to say, that the highest value for a particular channel, whether it comes from the light board or your controller, is sent on to the dimmer rack to control the lights.
Controllers like the one you're designing will have a "worklights" setting for daily use, as well as a "stage" setting that allows the light board to take full control. There is typically a lockout feature so that worklights cannot be turned on accidentally during a show.
Also extremely helpful is the ability to record a snapshot of the current DMX values. Since the location of worklights can change form production to production depending on where free dimmers are located, it's VERY helpful to be able to set a "look" on the light baord and then record that look in the controller. That way, when someone walks into the space and hits the "worklights" button, only the worklights come on, and the stage lighting stays off, saving their expensive lamps and gels.
Many companies have come out with specific products to do just this, and most are terrible. Electronic Theatre Controls' (ETC) Unison system - possibly the least user-friendly and most buggy POS out there. My point is, make sure to ask the end user how they will be using it, and make sure it's easy and straightforward.
Post back here, or PM me if you have any other questions about this. I work in the entertainment industry, and have spec'ed these systems before.
Beckhoff's release of that module has me thinking... Most PLCs do RS-485 COMs already. All that's really needed is some firmware to make almost any PLC DMX control.... manufactures?? Are you listening??
-rpoet